By Charles Turzak,Bob Blaisdell, et al.INscribe Digital|Dover Publications||Adult NonfictionHistoryLanguage(s): EnglishOn sale date: 15.07.2013Street date: 05.07.2013
Chronicling the nice Emancipator's course from obscurity to immortality, this reprint of a extraordinary photo paintings booklet commemorates the bicentennial of Lincoln's beginning. Thirty-six impressive woodcut photographs, every one followed by way of a quick caption, illustrate this good-looking hardcover quantity. as well as a brand new preface and advent, this variation comprises an appendix with numerous of Lincoln's well-known speeches, letters, and quotations.
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Additional info for An Abraham Lincoln Tribute. Featuring Woodcuts by Charles Turzak
But you say that sooner than yield your legal right to the slave—especially at the bidding of those who are not themselves interested—you would see the Union dissolved. I am not aware that anyone is bidding you to yield that right; very certainly I am not. I leave that matter entirely to yourself. I also acknowledge your rights and my obligations, under the Constitution, in regard to your slaves. I confess I hate to see the poor creatures hunted down, and caught, and carried back to their stripes, and unrewarded toils; but I bite my lip and keep quiet.
He had, typical for this neck of the woods, little schooling. The most important factor in all of his education was his appetite for reading. ”1 As a young man, he split rails, manned a flatboat on the Mississippi, ran a store and a post office, worked as a surveyor and all the while seemed to be musing over the deepest and darkest features of life’s dilemmas. He thought of himself not as an educated man but as a man who, by applying himself, could learn. He was also a first-rate storyteller, and he seemed able and to need to have a narrative example to illustrate every idea over which he deliberated.
He uses this same technique in another print, The Gettysburg Address. In this print, Lincoln stands in front of what seems like neverending rows of men, women, and skulls displayed under a blazing diamond of crosses. Finally, in addition to Turzak’s creative design in these prints, that illicit a sense of visual awe, was his metaphorical use of Lincoln’s hands. His hands were the means Turzak used to hide his subject’s melancholy from others. They also represented the need for solace, and effectively displayed the debilitating responsibility of America’s future that Lincoln shouldered alone.